Wearelittlestars

She influenced a generation of British female writers, many of whom now publish under their real names. You can see her DNA in the work of Olivia Sudjic, in the early essays of Dolly Alderton, in the quieter corners of The Sick of the Fringe .

Unlike the aspirational lifestyle blogs of the era (think A Cup of Jo or The Man Repeller ), Wearelittlestars offered no life hacks, no recipes, no outfit photos. LS refused to monetize her pain. She rarely posted photos of herself. When she did, they were blurry, sideways, or obscured—a foot on a night bus, a wine glass on a cluttered carpet. Wearelittlestars

This anonymity was crucial. It allowed readers to project their own shame onto her stories. Comment sections (now mostly lost to time) were filled with variations of: "I thought I was the only one who felt like this." She influenced a generation of British female writers,

Attempts to identify her have remained respectful. A few journalists claim to know her identity but have honored her silence. The consensus: she likely works in a non-creative field now, possibly marketing or education, and has never publicly acknowledged the blog since. Re-reading the archives (via the Wayback Machine) in 2024, Wearelittlestars feels eerily prescient. Before the "sad girl" genre was commercialized by Lana Del Rey, before Sally Rooney wrote about awkward sex and class anxiety, before every Substack newsletter had a post called "The Vulnerability Hangover," LS was there—messier, funnier, and less willing to romanticize the mess. LS refused to monetize her pain

In the golden, messy era of UK indie sleaze (roughly 2009–2013), before Instagram polished vulnerability into an aesthetic and TikTok turned confession into a performance, there was Wearelittlestars .