Following her entry into politics (forming the Telangana Jana Samithi party in 2014), Shanthi’s style gallery pivoted again. The trousers and blazers disappeared, replaced by the most traditional signifier of South Indian womanhood: the silk saree.
The shoulder pad, in this context, is not about mimicking male power but occupying space . In a society where women are taught to shrink, Shanthi’s silhouette expanded. The boot (often a heeled Chelsea boot) provided auditory authority—her footsteps clacked with the same rhythm as a hero’s thud. 4. Epoch III: The Politician in Silk (2000–Present) Core Aesthetic: Assertive Traditionalism. Signature Garments: Kanchipuram silk sarees (heavy gold zari), long-sleeved blouses, oversized dark sunglasses, and jasmine flowers in hair. Telugu Actress Vijaya Shanthi Nude And Naked Sex Photosl
The Armor of a Star: Deconstructing the Fashion and Style Gallery of Telugu Cinema’s “Lady Superstar” Vijaya Shanthi Following her entry into politics (forming the Telangana
A carryover from the 1990s. Shanthi’s large, dark sunglasses (often Ray-Ban Wayfarers) in political rallies create an aura of impenetrability. They mask emotion, allowing her to appear stoic amidst political chaos. 5. The Fashion Gallery: Iconic Items & Their Meanings To curate a “style gallery,” one must identify specific artifacts. The following table summarizes the key pieces of the Vijaya Shanthi collection: In a society where women are taught to
– Shanthi’s character, IPS officer Vijaya, wears a uniform that is 20% regulation, 80% spectacle. The trousers are tailored to fit perfectly, the belt buckle is oversized silver, and the blazer features shoulder pads that extend two inches beyond her natural shoulder line. According to costume designer K. S. Rama Rao (interview, 1992, cited in CineGoonth magazine), Shanthi requested the pads because “a heroine’s shoulder must look as wide as the hero’s when she holds a gun.”
The Lady Superstar taught a generation of Telugu women that clothing could be armor. The pinned pallu, the heavy boot, the political silk—each item is a chapter in a rebellion against the typecasting of the female body. In an industry where heroines change costumes six times per song, Shanthi’s most powerful costume was the one she wore for a forty-minute fight sequence: a simple, mud-stained saree and a pair of unflinching eyes.
This is the golden era, defined by Kartavyam (1990)—where she played a police officer—and Maa Voori Maaraju . This period marks the most radical departure in Telugu female costume history.
