
We deliver value to small, medium and large sized businesses across all industries through modern and innovative technology solutions.
Contact
01-912-5048
3/5 Boyle Street, Onikan, Lagos
Monday – Friday: 8am-5pm
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Type news info here…
He didn’t design it. He exorcised it.
Leo didn’t panic. He was a typographer. He knew the one thing that could stop a font born of chaos: taz font
He knew what he had to do. He was the only one who could. Leo drove to the studio. The place was a wreck. Monitors displayed gibberish in frantic, jagged text. His old Performa sat in the corner, its screen flickering with a single, pulsing message: He didn’t design it
At midnight, he pitted them against each other. On one side of the screen: — spinning, snarling, ready to bite. On the other: “Arial Monotone” — silent, gray, staring blankly into the void. He was a typographer
One night, fueled by cheap bourbon and a box of stale Twinkies, Leo cracked open his font-editing software. He called his project .
The internet, then still a fledgling beast, had devoured Taz Font. It spread via floppy disks and early CD-ROMs labeled “5000 WILD FONTS!” People installed it for fun. Then they couldn’t uninstall it. It infected system files. It renamed folders. A secretary in Chicago typed a memo in Taz Font and the office printer began smoking.
The first sign was the missing period at the end of a legal brief. A paralegal in Tulsa swore she saw the dot chasing a comma across the page. The second sign was a billboard outside Bakersfield. It was supposed to read in clean Helvetica. By morning, the vinyl had rearranged itself into “EAT CHEAP” — every letter slanted, sharp, and angry.

We deliver value to small, medium and large sized businesses across all industries through modern and innovative technology solutions.
Contact
01-912-5048
3/5 Boyle Street, Onikan, Lagos
Monday – Friday: 8am-5pm
Useful Links
Type news info here…
New Year, Old Challenges – How Businesses Can Solve the Japa Syndrome
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