Rihanna - Anti -deluxe- -2016-album- -

– The unavoidable hit. A dancehall-inflected loop that feels hypnotic and slightly annoying (intentionally so). Drake’s patois is laughable, but Rihanna’s detached repetition of “work, work, work, work, work” becomes a mantra for exhausting love. On the Deluxe, it flows into…

– A near-cover of Tame Impala’s six-minute psychedelic odyssey. Rihanna makes it her own by stripping the urgency and adding languid, auto-tuned regret. It’s a bizarre, brave closer for the standard album.

Absolutely. ANTI is the sound of the world’s biggest pop star burning down her own throne and walking away from the flames with a smirk. Rating: ★★★★½ (4.5/5) Best Tracks (Deluxe): “Kiss It Better,” “Needed Me,” “Desperado,” “Sex with Me” Skip if… you need clear hooks or upbeat dance jams. Listen if… you want to hear a legend get gloriously, recklessly weird. “I got to do things my own way, darling.” – And she did. Rihanna - ANTI -Deluxe- -2016-Album-

– Slow, psychedelic, and explicitly sexual. A cousin to The Weeknd’s Trilogy . She’s in total control, whispering threats and promises.

– A cold, iconic takedown. Over a floating, synth-laced beat, she reduces a lover to a one-night stand. “You was just a nigga on the side.” The Deluxe version hits harder with its extended outro. This is post-breakup empowerment as quiet assassination. – The unavoidable hit

The Deluxe edition adds three additional tracks to the standard 13, but more importantly, it completes the album’s thesis: freedom is messy, and so is this record. Gone are the EDM bombasts of We Found Love and the glossy Caribbean-pop of Work . ANTI is a grimy, sample-heavy, genre-bending collage. Executive produced by Rihanna herself alongside Jeff Bhasker (Kanye, Bruno Mars), the album pulls from 70s soul (Tavares’ “It Only Takes a Minute” on “James Joint”), trip-hop (a haunting interpolation of Tame Impala’s “New Person, Same Old Mistakes” on “Same Ol’ Mistakes”), and gut-punch ballads.

– A Western-tinged escape fantasy. Sparse, menacing bass, and Rihanna playing the outlaw bride. “I need a desperado / I need a partner in crime.” This is the underrated gem of the album. On the Deluxe, it flows into… – A

– The best 80s power-ballad Prince never wrote. A razor-sharp guitar riff, a vulnerable but defiant vocal, and lyrics about sex as emotional suturing. “What are you willing to do?” she purrs. It’s erotic and wounded.