Paulie -

Founded in 1995, GSC Game World has become the most renowned game development studio in Ukraine and a leading developer in Europe. Since 2004 the proprietary worldwide publishing branch has been operating within the company.

The revolutionary Cossacks: European Wars RTS title became the company's first hit, selling, along with its two add-ons, over 5 million copies worldwide.

In 2004 the studio enjoyed its first experience of working on a Hollywood movie license, while developing the tie-in RTS based on Oliver Stone's blockbuster film Alexander. The game was released simultaneously with the movie and was self-published by GSC in former USSR territories.

Since August 2004, GSC World Publishing has launched 7 projects: Alexander (2004), Cossacks 2: Napoleonic Wars (2005), Cossacks 2: Battle for Europe (2006), Heroes of Annihilated Empires (2006), S.T.A.L.K.E.R.: Shadow of Chernobyl (2007), S.T.A.L.K.E.R.: Clear Sky (2008), S.T.A.L.K.E.R.: Call of Pripyat (2009).

In April 2007 the company's most ambitious project - Survival FPS S.T.A.L.K.E.R.: Shadow of Chernobyl, set in the near-future Chornobyl exclusion zone, was released worldwide. GSC World Publishing was in charge of publishing the title in former USSR territories, while THQ Inc. operated the worldwide release.

The game received numerous awards at some of the biggest international trade shows, and received high critical acclaimed from both print and online media and from the players themselves. The success of the game has been proven not only by the 'Game of the Year' and 'Most Atmospheric Shooter' awards, but also by maintaining top spots on sales charts.

In the former USSR states alone, the game sold over half a million copies in the first two weeks. With the two subsequently released add-ons, the worldwide sales of the S.T.A.L.K.E.R. game series approach five million copies to-date.

Following the strategy of further brand development, GSC Game World initiated a series of S.T.A.L.K.E.R.-based novels (published in Russian and German), and have sold over 5 million copies overall.

Cossacks 3, released in September 2016, put furious battles of XVII-XVIII centuries into 3D.

Paulie -

He outlasted Johnny Sack (cancer). He outlasted Phil Leotardo (a car trunk). He outlasted Christopher (the nose). Paulie won the war not through strength, but through a lack of ambition. He never reached too high, so no one ever tried to cut him down.

When he sees the Virgin Mary at the Bada Bing (dancing alongside the strippers, no less), he doesn't have a spiritual awakening; he has a panic attack. When he dreams of "those two guys" (the ghosts of his victims), he refuses to sleep alone. This paranoia is not a joke; it is the crack in his armor. It suggests that deep down, beneath the gold chains and the murderous rage, Paulie is terrified of the ledger he has written in blood. Paulie

His name is Paulie Gualtieri. But you know him as Paulie Walnuts. He outlasted Johnny Sack (cancer)

He is the only character who seems to realize that the life he leads has cosmic consequences. He just doesn't care enough to change his behavior. The final gift of The Sopranos is Paulie’s survival. In the cut-to-black finale, while we don’t know if Tony lives or dies, we know exactly where Paulie is. He is sitting in the back office of Satriale’s, alone, a stray cat on the step, looking at a future of empty chairs. Paulie won the war not through strength, but

For six seasons, Tony Soprano was the sun that the entire show orbited around. But Paulie—with his silver pompadour, his cackling laugh, and his pathological fear of ghosts—was the show’s dark, beating heart. He was the living, breathing contradiction of the mobster’s soul: a devout Catholic who would strangle an old woman for her life savings; a loyal soldier who would sell out his boss for a better parking spot.

He was, and remains, the perfect gangster. Unlike the cerebral Tony or the princely John Sacramoni, Paulie never wanted the throne. He didn’t have the imagination for grand strategy or the patience for diplomacy. Paulie was a creature of the street. He rose through the ranks not through bloodlines (he was, as a hilarious subplot reveals, a "whoo-ah’s" son), but through sheer, terrifying brutality.

In the sprawling, shadowy landscape of The Sopranos , where mob bosses collapse on psychiatrists’ couches and heirs apparent get whacked in a rain of gunfire, one figure remains constant. He is not the brightest. He is not the strongest. He is, however, the cockroach that will survive the nuclear winter of organized crime.

Paulie -

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