Here’s the miracle: Merrily refused to stay dead.
Essential listening for Sondheim fans, therapy for recovering overachievers, and a warning label for anyone moving to New York or LA with a dream. 9/10. Have tissues ready for the rooftop. Merrily We Roll Along
It closed on Broadway after 16 performances. For years, it was the show’s epitaph: Sondheim’s beautiful disaster. Here’s the miracle: Merrily refused to stay dead
Then, scene by scene, we rewind. We watch the lawsuits disappear, the affairs un-happen, the friendships mend, and the cynicism fade to bright, naive ambition. We end in 1957, on a rooftop in New York, as three college kids swear to change the world and "make it last forever." Have tissues ready for the rooftop
Telling a story in reverse is a gimmick in lesser hands. In Sondheim’s, it’s a scalpel. We know where these people end up. We see Frank as a soulless producer before we see him as a hopeful pianist. So when young Frank makes a small compromise—skipping a rehearsal for a TV gig, taking an easy paycheck "just this once"—the audience doesn’t see a mistake. We see the first crack in a dam that will eventually drown his soul.
Of course, you can’t write about Merrily without mentioning the train wreck of 1981. After the genius of Sweeney Todd , Sondheim and director Harold Prince assembled a cast of fresh-faced kids (including a 22-year-old Jason Alexander). The out-of-town tryouts in San Diego were a bloodbath. Audiences, disoriented by the reverse chronology, walked out. Critics sharpened their knives.