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“Para todos que cantaram até perder a voz. Para Edguy. Até o próximo monumento.” (“For everyone who sang until they lost their voice. For Edguy. Until the next monument.”)

The Space Police tour. Edguy had fully embraced their goofy, sci-fi theatrical side. Tobi wore a silver wig and a cape with LED lights. In Belo Horizonte, during “Robin Hood,” a fan threw a stuffed monkey onto the stage. Tobi caught it, declared it the “Minister of Chaos,” and wore it on his shoulder for the rest of the show.

The setlist was a fan-voted monster: “Vain Glory Opera,” “King of Fools,” “Superheroes,” “The Piper Never Dies.” During the last song, “Avantasia” (yes, the Avantasia song, but Edguy played it as a tribute to themselves), Tobi stopped singing. He just held the mic out. The crowd sang every word—in perfect English, with a Portuguese accent.

But the Brazilians didn’t leave. They opened umbrellas and held them up like shields. During “Ministry of Saints,” lightning struck a transformer—killing the power for 45 seconds. The crowd kept singing the chorus a cappella . When the lights returned, Tobi knelt on stage, pretending to cry. “You just turned a disaster into a monument,” he whispered into the mic. That moment, captured by a fan’s shaky Flip camera, became the emotional center of Monuments .