In a post-Soviet, traditionally-minded space, a woman openly singing about physical desire is still radical. Aygun has never been vulgar, but she has been unapologetically sensual . Tracks like “Sene Gelme” (“Don’t Come to Me”) or her iconic duets don’t frame sex as a marital duty or a hidden secret. Instead, she presents it as a natural part of a confident, mature woman’s life.
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