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Perhaps he is trapped under a beam. Perhaps he is in the next valley, fighting another of the hundred flames. Or perhaps—the old women whisper from their dusty windows—perhaps he set the fires himself, to burn away the rot so something new could grow.
This is a striking and cryptic phrase. It sounds like a fragment of Turkish folk poetry, a news headline from another era, or a line of lyrics from a türkü (folk song). 100 Istanbul Yangin var Sahin Agam
The number "100" is not a count. It is a sensation. The sound of a hundred windows shattering. A hundred mothers calling lost names. A hundred years of wooden Istanbul turning to charcoal in a single, cursed afternoon. Perhaps he is trapped under a beam
Only the wind answers, stoking the hundred fires higher, turning the Queen of Cities into a blacksmith's forge. This is a striking and cryptic phrase
In the chaos, the cries merge into one: "Sahin Agam! Sahin Agam, where are you?"